#This post was meant to be way longer...

[starlightpixels]

♫In sleep she sang to me, in dreams she came...♫

[lulu-draws-stuff]

How does that sound?

[glowsticcc]

she looks like her apa now and i’m so normal :’)

[bicryptide]

"Rise leo is not canon queer/MLM-"

Be serious.

[starry-bi-sky]

more clone^2 memes because i think they're funny

[fortnites]

fortnite festival brainrot :)

[nenoname]

stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff

and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing

like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)

stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context

while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands

ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is

idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok

[morelikesin]

🐶 Y'know, I fall in love with you all over again when we go on dates like this, Max.

🐰 You're getting a pass for that awful pun because you're the prettiest thing this side a' the world, Sam.

🐶 What can I say? I'm as corny as Kansas in August.

🐰 And as normal as blueberry pie.

[bloodydeanwinchester]

fuckkk okay so this is the first time in a while that i've watched all of the episodes leading up to faith before watching it and man the series of events leading up to him finding out that he's dying is just so brutal.

like first he has to work a case involving the house where he saw his mother burning on the ceiling AND it turns out to involve her ghost no less. and he calls his dad for help and he's crying because he just really needs him. but his dad can't even be bothered to call him back.

and then, once that case is over and he and sammy are fighting about their dad and their dad is sending them a case via a text with nothing but coordinates in it and he and sammy are still fighting about it and about how dean always follows his fathers orders without questioning them (but what sammy doesn't know is that dean DOES know what happens when he questions his orders and even at 26 he's still avoiding that at all costs) and then they're in the asylum and sammy is saying awful things to him that he knows are at least partly true and he's pointing a gun he thinks is loaded right at dean's face and pulling the trigger. and when it's over sammy is trying to apologize and blame it on the ghost but dean knows that's not the full truth, that sammy does believe the things he said to him

then FINALLY their dad calls them and it's the first absolute confirmation they've had in six months that he's alive but he just calling to tell them to stop looking for him and to give them a case and dean's following his orders and sammy's pissed again and he's taking it out on dean and they're fighting and then sammy's leaving and it's just like stanford all over again except this time their dad isn't even there so really it's just dean that he's leaving isn't it?? and sure sammy ends up coming back and saving him in the end but dean knows deep down that he'll never be able to please both sammy and their dad and he doesn't know what to do about that

and at some point during these events, dean turns 27 and then they're on another routine hunt but it doesn't quite go the way it's supposed to and this intense pain just lights dean up and then he's floating away and the next time he wakes up he's hearing that his heart is ruined (but it's always felt a little bit ruined to him anyway) and he's going to die very soon but he's always expected to die young so he's just accepting it and he knows he'll never see his dad again and he'll never truly know what it's like to be loved by someone who really knows him and of course, he thinks sammy is just gonna leave him there to die alone

like how could anyone watch this series of events and then see dean in his little hoodie just wanting to die in peace and not love him more than anything else in the world???????

[sigsfigs]

sorry for no art was too busy MEETING BRENNAN ZAC AND ERIKA????????

[martyrbat]

batman #428 / batman: legends of the dark knight #100

It's over. It's begun. The end of the training and the worry that he wouldn't pass the tests and make the grade, the beginning of a life with meaning. Jason smiles. A bright smile. The kind of smile Robin, The Boy Wonder should have. And he is Robin after all. For now and ever more.

‘Part of me recalls him putting on his costume that first time... the look on his face... his smile... as if it were yesterday. That first time, I must keep it alive... the memory of it. Alive in my heart so that the memory of this... here now... doesn't destroy me. We're together at least. One last time together... as it should be.’

[dragonanon]

can you do a chapter based on your Death!Reader and God!Brother hcs where Death wakes up from her sleep and goes to Heaven to check up on her brother's children and everyone is obviously terrified of her?

Hmmm…I’m not typically one to do requests because the urge to write is so sporadic and random for me. BUT I have been thinking about the initial confrontation in Heaven for a while now, so here are some head cannons for that. >w>

——

- It’s a typical perfect day in Heaven…Until it isn’t. Having seen what had become of your realm and learning Heaven was to blame for it, you’re on your way to rip someone a new asshole.

- Screams erupt from the Angels as the ground begins to shake and the bright sky darkens. Sera and Emily rush out just in time to join the Angels in watching in abject terror as a massive pool of darkness forms on the ground, and from it slowly rises a menacing figure.

- The figure is massive, and it only continues to rise until even the tallest building barely reaches its hips. Its six long horns twist and arch toward the sky, only making the figure appear even taller. Upon reaching its full height, the figure spreads its six mighty wings, each one sporting a menacingly sharp claw and all as shrouded in darkness as the rest of the figure.

- As its wings blot out the sun further, the figure opens its many blazing white eyes; two where you’d normally expect to see eyes, a third in the center of its forehead, and dozens more scattered across its wings and body.

- Sera lost all color as soon as she saw the figure rising, and somehow lost even MORE color when the figure opened all of its eyes. She looks like she shit herself, and Emily is panicking, trying desperately to get Sera to tell her what’s going on; she’s never seen the older Seraph look so terrified.

- With this unimaginably imposing figure now looming over Heaven, Adam decides this is the PERFECT time to attack, having been dumb enough to think this was a Demon attacking Heaven.

- The exorcists fly up towards the figure, ready to attack. This only angers the figure further however, and with a rumble that shakes the ground itself, the figure merely flaps its wings; creating a gust of wind so powerful it knocks all the exorcists back onto the ground.

- It’s at this point Sera FINALLY snaps out of it, rushing to Adam in mad panic and damn nearly strangling him while telling him to call off the exorcists. Which he does, albeit with some reluctance.

- This doesn’t stop him from asking Sera what gives, and her response is “Adam you absolute fucking fool, that is DEATH!”

- Now it’s Adam’s turn to look like he shit himself. “Death? As in, “the big man himself’s younger sister” Death?? As in, “the baddest bitch you’ve EVER seen, but can kill ANYTHING by just touching it” Death??? THAT fucking Death????” Ignoring that last statement, Sera’s frantic nodding in confirmation confirms to Adam that he has indeed fucked up. Big time. Adam then proceeds to lose all color in his face and practically cowers behind Sera as she cautiously approaches you, mentally preparing herself to be reaped on the spot.

- Back to your perspective however, you’re fucking PISSED. So pissed that you don’t even notice or stop to think that most of Heaven’s inhabitants likely have NO CLUE who you are, and are likely legitimately fearing for their lives. Meanwhile for all the older Angels and Angelic beings who’ve been alive long enough to have known you before you went to sleep, like Sera, they’re all still very much afraid, but it’s more in line with the “oh shit mom’s home early and she saw the mess we made in the kitchen, she’s gonna kill us!” kind of fear.

- The fact that they sent exorcists at you makes you even angrier. Like for starters, how fucking weak do they think you are that you could be stopped by just some low level Angelic beings with pointy sticks?? And then the audacity to even attack you to begin with, like THEY weren’t the ones who fucked up and you’re just some kind of strange intruder needing to be slain?? The INDIGNITY of it all!

- Your voice booms throughout Heaven, making even the ground tremble at the sheer intensity of it. “WHO DID IT?” You’re met with only silence, so you ask again with more force. “MY REALM IS A COMPLETE MESS WITH MILLIONS OF DISPLACED SOULS RIGHT NOW. SO AGAIN I ASK, WHICH ONE OF YOU FLAT FOOT CHILDREN DID THIS?!”

- Sera replies, voice trembling slightly. “Are…Are you talking about the exterminations? “IF THAT IS WHAT YOU’RE CALLING THIS MOCKERY OF MY WORK, THEN YES.” Sera looks visibly confused and concerned. “But…That SHOULDN’T be possible!…The exterminations KILL the Sinners; their souls should be gone, not stuck in Limbo! There has to be some kind of mistake here!”

- Hearing this, you can’t help but let out a brief but harsh cackle, making the ground jolt from the abruptness. “DEAR YOU HONESTLY THINK A SOUL COULD BE SO EASY TO DESTROY? A SOUL IS A POWERFUL THING FOR A REASON CHILD, IF THEY WERE SO EASILY DESTROYED THEN NONE OF YOU WOULD BE STANDING HERE BEFORE ME NOW!…SO ONCE AGAIN, WHO. DID. THIS?! AND SO HELP ME, IF I HAVE TO ASK AGAIN THERE WILL BE CONSEQUENCES.”

- Whilst Sera is dumbfounded by this revelation, Adam sees a golden opportunity to save his ass and points at Sera. “I-It was her! Yeah it was all fucking HER idea! I-I tried to tell her it was stupid, b-but she just REALLY wanted to go down and kill those bast- Demons! Yeah she REALLY wanted to kill all those poor Demons, can ya fucking believe this shit?!”

- Before Sera can defend herself, the darkness seems to intensify, and she can just FEEL every one of your eyes glaring daggers into her. “SERA…YOU SIGNED OFF ON THIS?? YOU SHOULD BE ASHAMED OF YOURSELF, I EXPECTED SO MUCH BETTER FROM YOU! I LEFT EXPLICIT INSTRUCTIONS FOR HEAVEN AND HELL TO WORK TOGETHER TO SORT SOULS FOR THIS VERY REASON! AND NOW BECAUSE OF THESE BARBARIC “EXTERMINATIONS”, YOU’VE COMPLETELY DESTROYED THE BALANCE I WORKED SO HARD TO CREATE AND MAINTAIN. I HOPE YOU’RE PROUD OF YOURSELF, BECAUSE I’M CERTAINLY NOT!”

- It’s a strange and mildly amusing sight to see the head seraph get scolded like a misbehaving child by this massive dark entity. But here we are anyway!

- At one point during the tongue lashing you’re giving to your niece, Emily buts in and asks for an explanation for what’s going on; having not heard Sera’s previous explanation to Adam apparently.

- Your temper flares for a brief moment, and you just about launched into another lecture at the little shit who DARED interrupt you. But upon seeing Emily, you softened considerably, seeing that she was young and TRULY didn’t understand what was happening.

- “AH…I APOLOGIZE DEAR, BUT I DON’T THINK I RECOGNIZE YOU…COME CLOSER LITTLE ONE SO I CAN SEE YOU.” You slowly crouch down and lower your hand, offering Emily to climb onto it. Emily is hesitant, obviously a bit scared of you. But Sera encourages her to go to you, she knows that you won’t hurt Emily and it’s high time she meets her aunt anyway.

- With the small seraph in hand, you stand back up to your full height and bring her closer to your face. Now FINALLY able to see her properly, you speak. “YOU’RE FAIRLY YOUNG FOR A SERAPH…YOU MUST’VE BEEN BORN DURING MY SLUMBER, AND IN THAT CASE I APOLOGIZE THIS HAD TO BE OUR FIRST MEETING. TELL ME, WHAT IS YOUR NAME CHILD?”

- Her voice trembling slightly, Emily tells you her name and then asks who you are and asks if you’re a seraph like her and Sera. The innocent question gets a genuine laugh out of you, and despite it shaking the ground it’s a lovely sound. “OH CHILD, I AM FAR FROM BEING A SERAPH. THOUGH I CAN SEE WHY YOU WOULD THINK THAT. YOU WERE ALL MADE IN MY IMAGE AFTER ALL.”

- Seeing the visible confusion on Emily’s face, you elaborated. “LONG AGO, YOUR FATHER WANTED TO SHOW HIS APPRECIATION OF ME. SO FOR HIS FIRST SENTIENT CREATIONS, THE SERAPHIM, HE BASED THEM ALL ON ME.” Emily looks surprised, and follows up by asking how you know God.

- You give another genuine laugh at her question. “SWEETY I’M HIS YOUNGER SISTER, I AM “DEATH”, THE GODDESS OF WELL…DEATH. BUT YOU CAN CALL ME “D” OR “AUNT D”, MOST OF YOUR SIBLINGS DO.” Emily’s mind is blown “Wait! YOU’RE aunt D?! Sera told me all kinds of stories about you before you went to sleep, like the time you got into an argument with Father over his invention of the “Snuggie”. I never thought I’d get to meet you!”

- “IT WAS LITERALLY JUST A BATHROBE YOU WORE BACKWARDS, AND I STILL CAN’T BELIEVE HE THOUGHT THAT WAS AT ALL CLEVER.” You huff, feeling amusement and mild irritation at that memory.

- “SPEAKING OF YOUR FATHER, WHERE IS HE?” Sera speaks up, having managed to recollect herself, and explains that no one has seen or heard a word from God since before you went to sleep.

- The irritated snarl that leaves your throat sounds like thunder and shakes the ground, making everyone tremble with fear. “THAT LAZY BASTARD HAD ONE FUCKING JOB, WATCH HIS DAMN KIDS, AND HE COULDN’T EVEN DO THAT?! NO WONDER THIS ALL HAPPENED THEN, HE LEFT YOU ALL UNSUPERVISED!”

- Bending over, you carefully set Emily down before standing back up. “I HATE TO CUT MY INTRODUCTION SHORT, BUT APPARENTLY I NEED TO GO AND HAVE A LITTLE CHAT WITH YOUR FATHER.” You stare pointedly at Sera and continue. “DON’T THINK THIS MEANS YOU’RE ENTIRELY OFF THE HOOK EITHER. WHILE YES, YOUR FATHER’S ABSENCE IS MOSTLY TO BLAME FOR THIS DEBACLE, YOU ALSO KNOW BETTER THAN TO DO SUCH TERRIBLE THINGS. WE WILL BE DISCUSSING THIS MORE ONCE I FINISH WITH YOUR FATHER, AND IF I COME BACK AND FIND OUT YOU HELD ANY MORE OF THESE “EXTERMINATIONS” I WILL TURN YOU INTO A HOLLOW! DO I MAKE MYSELF CLEAR?” Looking at the ground, Sera nods and says “Yes Auntie D…”

- Satisfied with that response, you bid everyone farewell and slowly melt back into the ground, completely disappearing. Once you’re gone, the sunlight is back and it’s as if you were never there.

- Now the seraphim have to soothe the murmuring crowd while Sera starts attempting to get in contact with Lucifer to let him know that “Hey Aunt D found out about the exterminations and is NOT happy about it. She just got done yelling at me, and now she’s on her way to go read Father the riot act. Just warning you now because once she’s done with him, you’re probably gonna be next.”

- Lucifer receives the message and is now frantically trying to create peace offerings in hopes they’ll make you more amicable, while also preemptively planning his own funeral in case the peace offerings don’t work.

- Meanwhile in God’s palace, God is currently relaxing in an elaborate hot tub and watching American football on an absurdly large TV whilst drinking wine like it’s water. He’s pretty drunk and having a grand time yelling at the TV.

- His fun is interrupted through by you literally kicking in the door and storming in, you’ve shrunken down to your smaller size so all your features are actually visible now and not covered in darkness as you glare at your older brother with an intensity that could peel paint.

- God startled momentarily before seeing it’s you and giving you a dopey smile. He’s also in his smaller form, so that makes things slightly easier for you. “Ohhh heeeyyy Death!…You startled me thereee…It’zzzz beeen awhillle, huh?” You scoff at his slurred speech, in disbelief that he could be so drunk right now.

- “Yes, it HAS been awhile. Good to see that you still choose to spend your days getting completely wasted instead of tending to your children.” You answer tersely, and God rolls his eyes. “Zzstill the saaame old ssstuck up bitch…Tha kidzz are fahine Deee! Yyyoou should cohme haave ah drink wib meee.”

- You ignore God’s offer for a drink and cut right to the chase. “No, your kids are NOT fine! When was the last time you checked in on them?! Do you even know what they’re up to right now??!” God dismissively waves his hand and chugs more wine. “I juzzt checked on thhhem ah couple decades aghooo..They’rrre prohably makinnn neeewh liffe.”

- “God that is a load of shit, and you know it! I was JUST down in Heaven, and the seraphim told me that you haven’t seen or spoken to ANY of them since I left to take my nap eons ago! And furthermore, while you’ve been in here drinking the day away, your children have COMPLETELY destroyed the balance we created! They’ve been mass slaughtering Demons annually for millennia now, and Limbo is a complete disaster right now because of this!” Hearing this, God looks down at his bottle of whine, embarrassed, and mumbles an awkward “oh”.

- Silence hangs heavy in the air for a moment before God clears his throat and says. “Zzsooo…You’rrree NNOT gooing to drink wiff me?” At this you snap and snatch the wine bottle from God and chuck it at the TV, smashing the bottle and the TV. God shouts in anger but before he can ask you wtf that was for, you just lay into him. Calling him a deadbeat and pathetic excuse of a deity.

- “How can you just sit in here day after day, while your CHILDREN are out there causing such mayhem! Do you not love your children all??!” God is shouting back at you, his anger having sobered him up some so he’s not slurring as much. “How DARE you accuse me of not loving my children! I would giive ANYTHING for them and you know that!”

- “Then fucking ACT like it!! Don’t just sit in here and rot your mind with booze and TV!” God growls. “I don’t need you to tell meee how to handle my children! Why do you even care?! It’zzz not like they’re yours anyway!”

- “I care because they are part of MY family, and I want my family to be safe and happy, something that you couldn’t give less of a shit about apparently!” God throws his hands up at this point “Well what do you want from me Death, go hhhold their handz?! My children are ALL capable of thinking and being on their own, they don’t NEED me to do shit for them!”

- “That doesn’t mean that they don’t still need you there emotionally! But with the way you act maybe it’s best you ARE never there! After all, what use could any of them get from your pathetic drunk ass!!” This clearly struck a nerve as God points back at the door you came in through and roars at you to get the fuck out of his house. Growling, you give a harsh “Fine!” and tell him he can sit and be a drunk deadbeat all he wants because you’re done with him and his shit, and he’s NEVER to contact you again unless it’s in regards to his children or business.

- You stomp out of God’s palace and return to Limbo, wanting to start working on getting things cleaned up and cool off some before you go check on things in Hell.

- Once you’re gone though, God slumps his shoulders and hangs his head. With your venomous words echoing his head, he summons another bottle of wine and begins chugging it while he trudges into his bedchambers.

- He flops down onto the bed and picks up a framed photo and slowly brings it closer to his face. It’s an old photo, one taken shortly after God created the first few seraphim. You and God are both standing next to each other, arms around each other’s shoulders and leaning in close while the first seraphim all stand in between the two of you. Everyone is absolutely beaming, and God looks especially happy; so proud of his creations.

- Tears drop onto the photo as God remembers how things used to be back then, back when he was actually NEEDED by those around him and wasn’t just some brand figure who’s only job is to smile and wave. Even as he slowly sets the photo down, tears continue to fall and he holds his head in his hands. “…I’m sorry I’m so damn useless…Hopefully you’ll forgive me someday…Not that I deserve it though…I’m…so fucking sorry…” No one is there to hear God’s sobs, and eventually he passes out. He’d rather be dreaming of happier times anyway.

[resvarie]

in which boothill drags convinces ami to finally go see her sister

[harundraws]

Vampire Taivan Vampire Taivan Vampire Taivan Vampire Tai--- the comic is based on @novelconcepts vampire au yj fanfic !!

👉🏼the link to novelconcepts’ post to the fic ✨

SOOO since i couldn't finish this during halloween (it was a spontaneous decision... i didn't even mean to draw a comic, the pages just started appearing... !!!!) i decided to not rush w/this and wow would you look at that, the pages doubled (4) but right now here's the first 2!

[miodiodavinci]

im being so so brave but also i am gripping you by the shoulders and leaning in and letting you know i am so tired of being brave

[erstwhilesparrow]

to the surprise of approximately no one, i am thinking about video game mechanics and mcrp and c!owen and violence again. i am thinking about interesting accidental resonances and i am thinking about what someone's medium of choice makes it easy to tell stories about. the thing is, owen's pov of outsiders is a story that, despite being told almost exclusively in minecraft, really does not want to be a story set in minecraft.

what i mean by this is that cc!owen repeatedly and deliberately tries to prevent minecraft logic from existing in the story he is telling. according to him, things operate in the messy space of real-world physics, and the fundamental structure of the world aligns much more with our reality than with, i dunno, a series of 1s and 0s. of course they can't climb the vines to get to the top of the walls, they'd get tired well before the reach the top, never mind that minecraft doesn't have any mechanic in place to keep you from clinging to a vine for as long as you want. of course acho drowning during the underwater maze game could have been from something being wrong with the potions, never mind that minecraft potions come out the exact same way every time. of course it matters that owen punched mohwee for going into the maze, but only once, because he couldn't bring himself to do it again. never mind that a punch in minecraft rarely means much.

a single punch in minecraft doesn't mean anything. or it means almost everything, which is why it doesn't mean anything. but the outsiders, at least for a little while, make a world where a punch matters, where it's the kind of thing you go running to tell other people about because it means a real fight's brewing. mohwee punches graecie, and someone comes running to let owen know. we're meant to react to it the way we would if it happened irl. we're treating this seriously now!

except that's really hard to do in minecraft, because minecraft isn't a game that gives you many avenues for... body language. for the kind of nonverbal communication you do by touching someone gently. try as they might to pretend otherwise, it is built into the bones of any minecraft world that the only way you can touch another person for sure, in a way that the game has an obvious mechanical system in place to respond with, is by punching them. so two things here.

one is that yeah, the outsiders creators stop acting like a punch is a punch not super long into the series, because there is no vanilla mechanic for [grabbing you by the arm and dragging you away from the gates]; you have to use what you have at your disposal (such as the left-click button on your mouse) to gesture at the thing you actually mean. owen emulates the act of dragging someone around by punching magic at one point. nobody, in-universe or out, reacts like he was actually hitting her, and i'm not saying we should. but there is that disconnect between what the story is supposed to be (maybe owen pushes her away from the gates, maybe he's trying to pull her back), and what the game will allow them to do.

two: despite the ways that the game runs counter to the kind of story owen et al. are trying to tell, this limitation wrt punching still produces some really interesting resonances that require us to accept and pay attention to the fact that no matter what owen says, this is a story told through minecraft, inflected by its mechanics.

(side bar: i'm focusing on owen for this, but i think you can expand this idea to other characters, maybe the whole cast, by thinking about how both the story world and the game world are, on some fundamental level, set up to not allow for kind or gentle connections between people. you can't actually put your arm around someone else. you can't actually wipe away their tears or lean on their shoulder. the entire world the outsiders live inside of, both from a game perspective and a roleplay perspective, is designed to funnel them toward big dramatic gestures and cyclical violence. the easiest way to touch someone is violently. and still, there are the gestures of care, carved out of what the game will allow. sharing food. speaking softly to each other. opening the trapdoor to your bunker and letting the people behind you hurry down the ladder to hide. so you've never learned how to touch someone without violence. you can still know how to put your whole body between the person you care for and the danger. you can still die for them. isn't outsiders such a story of caring, despite, despite, despite?)

anyway. about c!owen. i think it's fair to say he's a character shaped by violence from the jump. he comes up the elevator and is almost instantly making and hoarding weapons. he tells himself he has to protect everyone, and the first two ways he decides to do this are by making a sparring ring where he intends to teach them to fight, and by threatening to break their legs. for the latter half of the series, he is literally sleeping on the edge of a sparring ring, all his personal effects literally pushed off to the side to leave room for this sand pit in the middle. even before he gets the memories of his time as a soldier back, we can see that this is how he interfaces with and understands the world. violence is in his bones.

as a result, i am kind of crazy about the fact that the literal game mechanics he engages with reinforce this image of him. there's this brief period of time really early on where i guess they haven't really got the prox chat range to yell to each other from a distance, and owen decides to take his weapon of choice and fire an arrow in the path of the person he's trying to talk to. (i know for sure he does this with rasbi and with at least one other person. forgive me, i don't recall who the other person was.) when you're getting shot at, yeah, you sure do generally want to look in the direction that arrow came from to see who's trying to shoot you! that'll get someone's attention! that is generally how people play the game!

at another point much later in his series, a group of outsiders find an enormous crane towering over a section of the maze, and owen pulls out a bow and aims it upward. it took me a second while watching to realize that it's because when you draw a bow in the game, you also zoom in on the thing you're aiming at. owen was trying to get a closer look at the crane, so he grabbed his weapon and used it to get a better understanding of the world.

more broadly, owen uses spears and arrows to point at things, to check distances and investigate stuff he doesn't want to or can't get close to. when he and magic first notice ash up on the walls, he fires arrows up at her, not really to hit but to see how she reacts. then he keeps firing them, having noticed the barrier blocks (in-fiction, the screen that makes up the false sky). later, while talking to chat in a high-up part of the maze, he demonstrates again that the sky is fake by hurling a spear into it.

out of character, these are just creative workarounds for the medium's limitations. in character, however, these instances make it clear that every single thing about the way owen interacts with his world is coloured by the fact that he has used weapons and will continue to use them, that his reaching for a bow right after waking up wasn't some fluke, that even with his memories wiped out he is a character who has been trained to reach for violence before anything else.

just by playing the game, cc!owen adds another dimension to this character, because he is playing a game where There Exist game mechanics meant to facilitate violence, and this is about the cycles of violence c!owen finds himself trapped in and perpetuating and it is also about how violence is so deeply ingrained in him that it is an inextricable part of his world.